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Advertising Agency: Heat, San Francisco, USA Executive Creative Director: Steve Stone 
Associate Creative Director / Art Director: Mark Lawson Associate Creative Director / Copywriter: Jeff Guenther Art Director: Mark Potoka 
Copywriter: Ben Salsky 
Content Producer: Vera Kacurova 
Executive Content Producer: Brian Coate 
Group Account Director: Teri Miller 
Account Manager: Matt Huntington Assistant Account Manager: Lauren Kostka Production Company: Biscuit Filmworks 
Executive Producer: Colleen O'Donnell Director: Mike Maguire 
Director of Photography: Ulrik Boel Bentzen Editorial Company: Arcade Edit Producer: Kirsten Thon-Webb 
Editor: Greg Scruton 
Assistant Editor: Doug Scott Color Correction: MPC 
Colorist: Mark Gethin Music:: Beacon Street Studios 
Composer: Andrew Feltenstein 
Music Producer: Leslie DiLullo Recording Studios:
 Beacon Street Mix 
Engineer, Paul Hurtubise 
Producer: Caitlin Rocklen One Union Recording 
Engineer: Joaby Deal 
Producer: Lauren Mask

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Advertising Agency: Heat, San Francisco, USA Executive Creative Director: Steve Stone 
Associate Creative Director / Art Director: Mark Lawson Associate Creative Director / Copywriter: Jeff Guenther Art Director: Mark Potoka 
Copywriter: Ben Salsky 
Content Producer: Vera Kacurova 
Executive Content Producer: Brian Coate 
Group Account Director: Teri Miller 
Account Manager: Matt Huntington Assistant Account Manager: Lauren Kostka Production Company: Biscuit Filmworks 
Executive Producer: Colleen O'Donnell Director: Mike Maguire 
Director of Photography: Ulrik Boel Bentzen Editorial Company: Arcade Edit Producer: Kirsten Thon-Webb 
Editor: Greg Scruton 
Assistant Editor: Doug Scott Color Correction: MPC 
Colorist: Mark Gethin Music:: Beacon Street Studios 
Composer: Andrew Feltenstein 
Music Producer: Leslie DiLullo Recording Studios:
 Beacon Street Mix 
Engineer, Paul Hurtubise 
Producer: Caitlin Rocklen One Union Recording 
Engineer: Joaby Deal 
Producer: Lauren Mask

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Advertising Agency: Heat, San Francisco, USA Executive Creative Director: Steve Stone 
Associate Creative Director / Art Director: Mark Lawson Associate Creative Director / Copywriter: Jeff Guenther Art Director: Mark Potoka 
Copywriter: Ben Salsky 
Content Producer: Vera Kacurova 
Executive Content Producer: Brian Coate 
Group Account Director: Teri Miller 
Account Manager: Matt Huntington Assistant Account Manager: Lauren Kostka Production Company: Biscuit Filmworks 
Executive Producer: Colleen O'Donnell Director: Mike Maguire 
Director of Photography: Ulrik Boel Bentzen Editorial Company: Arcade Edit Producer: Kirsten Thon-Webb 
Editor: Greg Scruton 
Assistant Editor: Doug Scott Color Correction: MPC 
Colorist: Mark Gethin Music:: Beacon Street Studios 
Composer: Andrew Feltenstein 
Music Producer: Leslie DiLullo Recording Studios:
 Beacon Street Mix 
Engineer, Paul Hurtubise 
Producer: Caitlin Rocklen One Union Recording 
Engineer: Joaby Deal 
Producer: Lauren Mask

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Advertising Agency: McCarthy Mambo Bertino, Boston, MA, USA President, Executive Creative Director: Fred Bertino Founder, Executive Creative Director: Jamie Mambro Executive Creative Director / Copywriter: Jerry Cronin Art Director: Liz Albrecht Executive Agency Producer: Sara Ventetuolo Producers: Sara Ventetuolo, Jill Andresevic Managing Director: Lance Smith Production Company: Biscuit Production Company Location: Santa Monica Executive Producer: Colleen O'Donnell Producer: Dave Bernstein Director: Mike Maquire DOP: Ulrick Boel Bentzen Production Designer: Alexis Ross Post Production Company: MassMarket Head of Production: Blythe Dalton VFX Producer: Katie Boote and Hillary Thomas VFX Supervisor / Lead 3D Artist: Andy Jones Lead Compositors: Jamie Scott, Hyunjeen Lee 3D Artists: Eric Lampi, Kitty Lin, Frank Naranjo, Zed Bennett, Alon Gibli, Sean Kealey, Chris Meek, Kevin Miller Editorial Company: Final Cut Editor: Matt Murphy Producer LA: Salma Awan Producer NY: Lauren Bleiweiss / V. Viet-An Nguyen Music Supervisor: John Bissell / Mothlight Music Composer for "Guard Rabbit" Jon Mullane, Creighton Doane Composer for "Heist" Maddie Madsen Telecine Company: MPC Colorist: Mark Gethin

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Advertising Agency: McCarthy Mambo Bertino, Boston, MA, USA President, Executive Creative Director: Fred Bertino Founder, Executive Creative Director: Jamie Mambro Executive Creative Director / Copywriter: Jerry Cronin Art Director: Liz Albrecht Executive Agency Producer: Sara Ventetuolo Producers: Sara Ventetuolo, Jill Andresevic Managing Director: Lance Smith Production Company: Biscuit Production Company Location: Santa Monica Executive Producer: Colleen O'Donnell Producer: Dave Bernstein Director: Mike Maquire DOP: Ulrick Boel Bentzen Production Designer: Alexis Ross Post Production Company: MassMarket Head of Production: Blythe Dalton VFX Producer: Katie Boote and Hillary Thomas VFX Supervisor / Lead 3D Artist: Andy Jones Lead Compositors: Jamie Scott, Hyunjeen Lee 3D Artists: Eric Lampi, Kitty Lin, Frank Naranjo, Zed Bennett, Alon Gibli, Sean Kealey, Chris Meek, Kevin Miller Editorial Company: Final Cut Editor: Matt Murphy Producer LA: Salma Awan Producer NY: Lauren Bleiweiss / V. Viet-An Nguyen Music Supervisor: John Bissell / Mothlight Music Composer for "Guard Rabbit" Jon Mullane, Creighton Doane Composer for "Heist" Maddie Madsen Telecine Company: MPC Colorist: Mark Gethin

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The top weapon importer is now another country. The world is a hard place to understand.

Mercado Magazine is a magazine that analyses political and economic information and helps people understand the reasons and consequences of the events that take place on our planet, and how these affect the business world. Under the concept of: “The world is a hard place to understand”, the campaign emerges from a universal truth and as from its executions, bases itself on current market issues.

Advertising Agency: JWT, Buenos Aires, Argentina Chief Creative Officers: Gonzalo Vecino, Pablo Alvarez Travieso Executive Creative Directors: Gonzalo Vecino, Pablo Alvarez Travieso Creative Director: Ariel Abadi Art Director: Fernando Zagales Copywriter: Juan Mesz Account Supervisor: Carlos Nesci Account Manager: Eliana Garcia Producer: Fabián Catanese Ilustrator: Estilo 3D Published: May 2012

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The world’s sixt large economy is another country. The world is a hard place to understand.

Mercado Magazine is a magazine that analyses political and economic information and helps people understand the reasons and consequences of the events that take place on our planet, and how these affect the business world. Under the concept of: “The world is a hard place to understand”, the campaign emerges from a universal truth and as from its executions, bases itself on current market issues.

Advertising Agency: JWT, Buenos Aires, Argentina Chief Creative Officers: Gonzalo Vecino, Pablo Alvarez Travieso Executive Creative Directors: Gonzalo Vecino, Pablo Alvarez Travieso Creative Director: Ariel Abadi Art Director: Fernando Zagales Copywriter: Juan Mesz Account Supervisor: Carlos Nesci Account Manager: Eliana Garcia Producer: Fabián Catanese Ilustrator: Estilo 3D Published: May 2012

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The largest trade partner of the European Union is now another country. The world is a hard place to understand.

Mercado Magazine is a magazine that analyses political and economic information and helps people understand the reasons and consequences of the events that take place on our planet, and how these affect the business world. Under the concept of: “The world is a hard place to understand”, the campaign emerges from a universal truth and as from its executions, bases itself on current market issues.

Advertising Agency: JWT, Buenos Aires, Argentina Chief Creative Officers: Gonzalo Vecino, Pablo Alvarez Travieso Executive Creative Directors: Gonzalo Vecino, Pablo Alvarez Travieso Creative Director: Ariel Abadi Art Director: Fernando Zagales Copywriter: Juan Mesz Account Supervisor: Carlos Nesci Account Manager: Eliana Garcia Producer: Fabián Catanese Ilustrator: Estilo 3D Published: May 2012

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It blows really strong.

Advertising Agency: Brand 8, Beijing, China Creative Director: Li Gang Art Director: Gang Zong Copywriter: Sam Sun

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Advertising Agency: Ponce, Buenos Aires, Argentina Production Company: Park Pictures / Labhouse Director: 300 ml Executive Producer: Flora Fernandez Marengo Producer: Maria Jose Garofali DOP: Lula Carvalho AD: German Zecchi Production Designer: Julain Romera Editor: Marcelo Moraes Post Production: Che Revolution Post

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Travel through a cubic New York, Tokyo and many other cities while learning about the features of Google Maps. A Chrome Experient built with WebGL.

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QR codes have been exhibiting an uncharacteristic characteristic lately—they've been not sucking as much. We had the Korean retailer's 3-D sunlight-activated QR code, which was scannable only at lunch, when the shadows lined up. Now, we have this Guinness QR code on a beer glass, dreamed up by BBDO New York. It's literally activated by the product—you pour a Guinness into the glass, and the beer's black color fills out the code. (Those inferior amber-colored beers are useless here.) Scan the code with your smartphone, and it "tweets about your pint, updates your Facebook status, checks you in via Foursquare, downloads coupons and promotions, invites your friends to join you, and even launches exclusive Guinness content." In a pinch, it might even send out an SOS signal if you happen to be stuck on the Guinness submarine. More images after the jump. Via @TheSmarmyBum.

Automakers are getting ever more inventive with the literature they package with new vehicles. In the U.K., we saw the guide to Britain's tiny roads that came free with Volkswagen's compact Up! car. Now, here's a more rugged offering from Land Rover in Dubai—a survival guide created by Y&R that explains the basics of staying alive in the Arabian Desert, and is actually edible, just in case you find yourself in truly dire circumstances. "Scorching temperatures, deadly animals and sinkholes are just a few things they might encounter," says the agency. "We researched every indigenous animal and plant that people could encounter in the Arabian Desert and how they could be used to survive. We studied the topography of the region to guide people to safety. We used a reflective packaging similar to army rations, which could be used to signal for help, and bound the book with a metal spiral, which could be used for cooking. Finally, we even took an extra step so that in case of emergency, people could always EAT the book. It was made out of edible ink and paper, and it had a nutritional value close to that of a cheeseburger." The book was sent to 5,000 existing Land Rover customers, given away to new customers as a supplement to the owner's manual, and made it freely available in sports shops. The only thing missing, really, is a cyanide pill. The lawyers probably objected.

Sir Richard's condoms, last seen defending the honor of sluts everywhere, is back with another provocative campaign from ad agency TDA_Boulder, this time asking women to share "rules about what they won't put in their vaginas." Judging by the video below, it's more about who they won't put in their vaginas—although Sir Richard's at least promises it won't add any chemicals, either. The campaign, timed to National Women's Health Week, extends to promotions on Facebook and Instagram that encourage fans to share their #VaginaRule for a chance to win a year's worth of Sir Richard's condoms. See some wild postings after the jump.

Twitter - After you change your password, the system reminds you how many apps have access to your account and lets you review them.

/via Rolando Murillo

The timeless and playful polka dot gets its name from a dance, so what better way to sport its fun & flair than on a pair of cute dancin’ shoes. Vionnet stepped it up this season with colorfully embellished sandals that bring new meaning to the term eye candy…now it’s your turn get inspired and dip into some dots!   

To create, find the perfect pair of blank ballet flats. Follow the curve and lines of the shoe as you use puffy paint to dot a design.  Step out in style as you DIY your way into your own personal dotted heaven! 

Planio is a web-based project management system that takes its cues from Wikipedia when it comes to keeping large swaths of information organized and available at a moment’s notice. Planio facilitates online collaboration, automatically generates Gantt charts, and offers time-tracking features to keep everyone in the office on schedule.

Sign up for an account with Planio based on the number of ongoing projects you have and the number of users who’ll need access to your company account. Once you’ve gotten your employees on board, you can get to work uploading key files and assigning tasks to associates from within the Planio system. Each user who is assigned a task is granted specific permissions and roles, which makes it easy to track when milestones have been met and point the blame if critical errors are ultimately made. To ensure those types of mistakes never happen, it’s important to stay in constant contact with your team. Planio offers a communication system that features company forums and numerous commenting capabilities to ensure everyone stays in the loop.

People who enjoy Wikipedia’s organization style will appreciate Planio take. The web-app offers individual wikis and full-text search options to help users find the exact documents and conversations they need at a moment’s notice. Large companies and teams will never feel overwhelmed by the sheer volume of information they’ve stored in Planio, since the application keeps that information structured in a way that is always organized and controlled.

Practical Uses:

• Assign tasks to employees without speaking in person
• Keep your employees organized when working with multiple clients
• Share files without relying on email attachments
• Collaborate on an upcoming presentation with colleagues

Insider Tips:

• Planio offers a CRM helpdesk to improve the way companies work with clients
• Individual tasks can be attached to specific milestones
• Planio backs up user content each day
• Users can customize their own workflows

What we liked:

• Individual employees can all be granted different levels of access within Planio
• Users can estimate expenses with the time tracking tool
• Colleagues can share files and collaborate on presentations
• All changes made to group wikis can be tracked

What we didn’t like:

• Users are not eligible for free trials when they upgrade plans

Alternatives:

• Basecamp – http://basecamp.com
• DeskAway – http://www.deskaway.com
• Tree.io – http://www.tree.io

Company Info:

• Launched: 2010
• Privately Held
• Headquarters: Berlin, Germany
• Founded by: Jan Schulz-Hofen
• Web site: http://plan.io/en

Costs:

• Free 30-day trial
• Silver plan is 9 €/month
• Gold plan is 29 €/month
• Platinum plan is 99 €/month
• Enterprise plan is 199 €/month

Who has time to flip through a photo album these days? Slidemotion is a tool that modernizes photos by turning them into moving videos – complete with background music and all the other flourishes people have come to expect from professionally designed video montages.

Putting together your first video with Slidemotion doesn’t have to take any longer than three minutes. Assuming you already have the latest version of Microsoft Silverlight installed on your computer, you can get started by clicking “Create new video” and uploading the images you’d like to use. Add up to 15 images from your hard drive or Facebook account. Each photo is its own “section” in the movie, and you can add unique songs – which either come from your computer or Slidemotion’s collection – and overlay text to as many sections as you like. You can also edit specific images by rotating, cropping, or zooming in. When you’re done with your masterpiece, click “Finalize” and “Complete.” Slidemotion will send you an email when your video is ready to view and share.

Heavy Facebook users will appreciate Slidemotion’s easy integration with the social networking platform, making it easy to turn entire albums worth of photos into memorable videos in mere minutes. Slidemotion is a great tool for individuals looking for fresh ways to preserve their vacation memories, as well as small business owners looking for low-cost ways to market their companies online.

Practical Uses:

• Create a video based on the photos taken at your wedding
• Use images from your vacation when creating a family video
• Turn the photos your customers submit into a commercial for your store
• Use music and text to add context to the video from your recent trip to Jamaica

Insider Tips:

• Facebook users can create videos in just three clicks with Slidemotion’s VideoExpress app
• Images can be cropped, rotated, and zoomed in on
• Videos can be shared or kept private
• Users with PRO and PRO Reseller plans can use Slidemotion for commercial purposes

What we liked:

• Videos can be made in HD quality
• People with Home Premium accounts can add up to 200 images to a video
• Users can upload their own music or use the tunes from Slidemotion’s library
• Slidemotion lets you add multiple songs to a single video

What we didn’t like:

• Slidemotion’s free trial only lasts for 30 days, after which people must select a paid plan to continue using the app

Alternatives:

• Animoto – http://animoto.com
• Stupeflix – http://studio.stupeflix.com

Company Info:

• Launched: September 2011
• Privately Held
• Headquarters: Ljubljana, Slovenia
• Founded by: Marko Petkovic and Matjaz Clemente
• Web site: http://www.slidemotion.com

Costs:

• Free 30-day trial
• Home plan is $5/month
• Home Premium plan is $12/month
• PRO and PRO Reseller plans are coming soon